Breaking Points, Self Published Artist Book, 2018

An “Express Bullet”, a light projectile with a heavy charge.

Is conceptual analysis still a relevant term for contemporary art-making? What are the shortcomings of mid to late 20th century modes of critical analysis such as Conceptualism?

How do we look through an analytic lens at ourselves in the mirror?

Do we inherit performed identities, and how does media reinforce that performance. What can we do to disrupt the cycle?

Where do we impact? How do we fragment? What debris is left behind?